A few days ago I picked up the new graphic novel from Douglas Rushkoff and Michael Avon Oeming, “Aleister & Adolf.” I’m more familiar with Rushkoff through his reporting and expansion of ideas through nonfiction – first the excellent Program or be Programmed, and now as I read through the interesting Throwing Rocks at the Google Bus. Rushkoff has a tendency to explore the immediate and farther-reaching implications of not just technology but the way we utilize and integrate it. I had no idea, and was frankly quite excited, to see him work through an interest in sigil magic. Grant Morrison’s introduction sets the tone for the rest of the book – especially given his own sigil work – and it proceeds accordingly.
Aleister & Adolf’s premise is this (more or less): amidst World War II, a skeptical American soldier is sent to England to meet the great occultist Aleister Crowley. Crowley fancies himself locked in direct magical combat with Adolf Hitler (a not-outlandish premise as anyone who watches the “History” channel surely knows by this point). From there it gets deep into the practice and practicalities of sigil magic in the race to save Europe.
The protagonist is straight-laced but not without a history of his own. You’d expect him to be militantly opposed and disbelieving but as the book continues he follows a different path. It’s in both repeating the blueprints of our parents and trying to transcend their results that we often find ourselves – and so does Roberts.
Rushkoff’s treatment of Crowley is interesting to me – a stern man of ideas, perhaps a bit more disciplined than the man himself but not without reason. Crowley feels like a condensation of the real man for the sake of moving the story along swiftly, as does Daphne, the female support character. The pacing feels off. The book feels rushed. But it still manages to lay out some decent philosophical groundwork that comes close to rivaling, say, Grant Morisson’s Nameless.
Aleister & Adolf does have its satisfying moments. It’s an interesting and curious reframing of Crowley, World War II and some more modern elements. It doesn’t sew itself up neatly but surely does leave me wanting to know more about what happens after. I want to know more of Hugh and how he continues to manifest his change. How it and the knowledge affect him and change his approach to a life he already seems thoroughly displeased with. Maybe even a deeper treatment of corporations and occultism as well as Hugh’s client in particular.
While it felt a bit condensed Aleister & Adolf was a great and quick story that kept me entertained and left me hoping it continues in some deeper fashion. Job well done, I’d say.